Talent Press

MILISUTHANDO – Critique par Gaël T. HOUNKPATIN
Et si l’apartheid n’avait jamais existé ? Une femme se déshabille devant la statue de Nelson Mandela. C’est sur ces images d’archives que

MAPANTSULA – Critique par Gaël T. HOUNKPATIN
Les injustices de Soweto Mapantsula, coécrit par Oliver Schmitz et Thomas Mogotlane, est un film dramatique au format long de 104 mn qui

MILISUTHANDO – Critique par Gbenato Carolle TONOUKOUEN
L’histoire d’une vie pour raconter celle de tout un peuple « Milisuthando », un film de Bongela Milisuthando qui utilise les souvenirs et la vie

LE SPECTRE DE BOKO HARAM – Critique par Gaël T. HOUNKPATIN
Une danse avec le Diable C’est la nuit, au loin, les aboiements d’un chien sonnent comme une alerte. Puis, le bruit laisse la

MILISUTHANDO – Review by Gbenato Carolle TONOUKOUEN
The Story of a Life to Tell the Tale of an Entire People “Milisuthando,” a film by Bongela Milisuthando, uses the memories and

MAPANTSULA – Review by Gaël T. HOUNKPATIN
The Injustices of Soweto Mapantsula, co-written by Oliver Schmitz and Thomas Mogotlane, is a 104-minute long dramatic film that criticizes the policy of

MILISUTHANDO – Review by Gaël T. HOUNKPATIN
And if apartheid had never existed? A woman undresses in front of the statue of Nelson Mandela. It is with these archival images

THE SPECTRE OF BOKO HARAM – Review by Gaël T. HOUNKPATIN
A Dance with the Devil It’s night, and in the distance, a dog’s barking sounds like an alarm. Then, the noise gives way

Terra Mater – Review by Seyi Lasisi
The Earth is Ours. In an age where hygiene- personal and global- is a flimsy afterthought, who do we hold responsible for taking

What the Soil Remembers – Review by Seyi Lasisi
Past and Present The past and the present are always in communion. Transient as it is, the past is a conduit into the
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